What’s in a Meal? (pt.2)

Continued from Part I

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We Eat

The meal began naturally.  After a prayer led by Joey, we eagerly began to pass dishes and fill our plates with delicious-looking and -smelling breakfast food: chocolate pancakes, scrambled eggs, crispy bacon. I was immediately impressed by the cooking skills in the family–each of the kids had made one of the dishes.  Around the table sat the guests of honor, about 4 other Rovers, and two members of the kids’ family: Connie, their mother Connie and their older sister Katrina.

I followed the conversation, observing more than I talked with my eyes, ears, and camera.  Often wary of being too “outside” of exchanges in community, especially where I’m clearly of a different demographic, I felt OK with this role since all of the Rovers either knew me or that this was my main function in the project–and, Connie and Katrina simply didn’t seem too bothered or uncomfortable with me doing just that.  I also felt justified in that this was my first time witnessing first-person this particular kind of meal in practice.

Unlike the ones I’d first heard about through De’Amon, which brought people of the same gift, interest or passion together, this was a meal centered around naming the gifts and finding ways to support a particular person (or in this case, people).  I’ve heard of this practice both through Broadway and other peers and groups, such as circle work in the alternative disabilities movement.

In all cases, something magical has emerged, which testifies to the amazing power of the simple act of acknowledging “what’s there”–ie. the good, the powerful, the whole and the inspiring–in another person, out loud and in front of others, and of opening space in that same conversation for what the person’s hopes and dreams are and exploring together what resources, relationships or ideas lay waiting within the friends, family or neighbors to support that central person to achieve their dreams.

So, I awaited the emergence of this “gifts” conversation with eagerness and curiosity. How would it be brought up?  How would people react?  I’ve initiated and been part of “gifts” conversations, but it was usually in a situation where everyone was already “in” for some kind of community-building experience.  I was also curious about this being a meal centered around not just one but three people…  How would there be time for it all?  Would it dilute the “magic” by spreading out the focus to three instead of one?

 

Naming Gifts: a Radical Act

“Naming” is one of the other genius practices I’ve witnessed through Broadway–the act of intentionally celebrating the gifts, talents and good actions we see in our fellow human beings. Part of the five core practices emphasized in the RYC summers (“Name, Bless, Connect, Celebrate”), this idea of “Naming” is central to the work done at Broadway and those connected to its particular style of asset-based community building and, while seemingly small, has deep and far-reaching impact.

Again, there is a parallel here with business culture. In high-profile events or business settings, it’s customary to introduce people by their relevant title, skills, or connections.  “This is Janice Smith, Executive Director of Blah-blah-blah,” or, “Have you met the Jim La-la, the famous musician?”  This helps the person meeting them identify what value or potential use they may have for them in their lives or work.

But, when functioning outside of these kinds of settings, how often do we acknowledge and celebrate each other’s value?

After my exposure to the culture of constantly naming gifts around Broadway, I realized: Not much!  Usually, we share a person’s name and, maybe, who they know that someone else may know.  The rest, we let them figure out between themselves–or not.  People who are natural connectors tend to do it all the time, but at Broadway, an actual culture has been intentionally built around making this common practice.

Yet, when we intentionally name another’s gifts in social, community and neighborhood contexts, we are doing an incredibly powerful thing.

We are making the invisible visible–scratching a window into the dull paint of scarcity thinking that coats our view of ourselves as others in modern society as dependent upon experts, institutions, professionals, charismatic leaders, or sometimes just “someone else” for the solutions to our personal and our collective problems, or for creating the kind of future we wish to see.  Schools are responsible–and (ideally)–best-equipped for educating our children.  Doctors, nutritionists, and health organizations are responsible for our health.  Counselors will fix our minds and marriages; politicians our floundering social and economic systems.

On one side, there is energy and rhetoric in activist environments (where I’ve also spent a lot of time) about regaining citizen power and control over our reality and our future through organizing and voicing demands for change.  Yet, from my experiences in and continued observation of these environments, there is a hollow, gaping hole between rhetoric and practices which infuse energy, joy, and a deeply rooted belief in our and our neighbor’s personal power to “be the change” of which we speak.

By boldly acknowledging in open speech what “is there”–what spark of innate creativity, cultivated capacity or impressive skill–in ordinary spaces of interaction with one another, we go from wishing for a better world in which our wishes are within our grasp to making the materials and relationships for this world to happen visible, tangible and suddenly in the hands of our friends, neighbors, church-mates… or whatever seemingly random new person we may have just met.

This is particularly powerful when we or those we’re introducing have the misfortune to be recipients of society’s more damning naming practice–that of labeling folks by their deficiencies and problems.  As I first heard it explained by John McKnight, co-founder of the ABCD Institute, if you go to a little town he knows in Michigan, you will see a man and someone will tell you, “That’s Jerry. He’s the best builder in town.”  If you went to the hospital across the river, or the social service agency, what they would tell you about Jerry is totally different–that he is an alcoholic with a bad heart problem.

The traditional wisdom of community, while never blind to these weaknesses or problems we all have (I’m practically blind without my glasses and quite rich in other deficiencies as well), knows that that is not the most important information about a person–because, simply, you can’t DO anything with someone’s empty half!  Jerry’s building expertise is useful to me and my neighbors… his alcoholism is not.  Today, as neighboring and citizen action has given way to disconnect and the rise of professionalized functions who base their existence upon identifying, categorizing, and fixing specific groups of people, the naming of emptiness has also prevailed, to the point that it’s socially acceptable and common in our social sphere to throw around others’ emptiness labels–“alcoholic,” “disabled,” “ADHD,” “homeless,” “poor,” etc.

The result is not only a formation for that person–and the rest of us–of a distorted and disempowering image of them, but an overall sense of heightened powerlessness and dependency on those who are trained to deal with those deficiencies.  And, for many people with those labels, they also end up grouped in their daily living, socializing, and (if existent) work lives, exclusively among other people labeled for their shared deficiency.  The majority of programs for people labeled as “disabled,” for instance, clump all such people together from morning to night as roommates, workmates, for “community outings” or other things.  Apart from programs, we also enact segregating practices through filters we’ve been handed via media or our own upbringings which alert us to deficiencies.

When we intentionally name the gifts of people marginalized by this over-labeling of emptiness, we disrupt and shift the tide of this

 

Meals + Naming?  Whoa…

So, what if we were to organize meals around that very purpose?

This is the idea of a meal which has most blown my mind and intrigued me since I first connected with De’Amon, Mike and Broadway.  I’ve heard stories of Montell, Ms. Francis and other neighbors, around whom meals were organized after they encountered severe, potentially life-damaging situations like getting (unjustly) expelled from school or having their home violently broken into. The meal included everyone who that person felt was supportive in their life and focused on three major things: what others saw as their gift, what that person’s dream or aspiration was, and how those gathered could support that person to reach their aspirations.

Montell got back into school, then college–but even more importantly, learned that his innate gift for healing was not just something he did but a precious gift that touched and added value to the lives of those around him and to his community.  Ms. Francis not only experienced a catharsis of healing and unexpected support in a hugely vulnerable, difficult time–she gained support for and a chance to pursue her dream of using her gift for cooking to run her own restaurant.  Now, as a result of this meal, two neighbors are stronger in their gift and making the neighborhood stronger for it–plus new relationships are formed and strengthened, and each attendee has experienced and internalized, to some inevitable degree, how looking at things from a lens of abundance and relationships opens new vistas of possibility in our personal and collective lives.

 

 

 

 

 

 

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What’s in a Meal? (pt.1)

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What’s in a meal?

Well, there’s the obvious:  Food…  togetherness (potentially)…  conversation.  What else?

A recent meal I had the fortune to attend gave me a glimpse into that answer.

On a warm summer day about a month ago here in Indy, I excitedly followed Broadway United Methodist Church‘s Roving Youth Corps members Joey Walton, Shane Evans and Charita Roberts through the winding, mazelike hallways of this gothic giant onto the brightly lit lawn where a table sat.  Bordering the lawn on one side was a row of houses–earthen colored, beautifully old structures with healthy front porches that populate most of Broadway’s diverse neighborhood known as Mapleton Fall Creek.

Roving Youth Corps (RYC) is a cadre of paid community organizers, ages 13-19 from the Mapleton Fall Creek neighborhood, who spend the summer discovering, connecting, and celebrating their neighbors’ gifts, skills, passions and contributions. (See previous blog for more info.)

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This year, RYC added an element: a meal would be held around each and every Roving Youth to celebrate them and explore ways that family, friends, and neighbors present could support them in developing their gifts and dreams.

The occasion: one of the 15 or so “Meals” being organized this summer around each and every Roving Youth member.  My excitement sprang from my own enduring obsession with this unique style of using meals and the celebration of individuals’ gifts as a strategy for building community, economy and mutual delight which Broadway employs in all kinds of settings…   but which I have actually never witnessed in person.  I was also curious, having participated as staff of the Roving Youth project last year, how incorporating these meals would change the dynamics of the project as I’d already witnessed it.

One of the things I love most about Broadway is their commitment to regularly and rigorously examine–and, if needed, completely revamp–what they do and how they do it for the sake of living in line with their beliefs around looking for and investing in abundance over scarcity and living together in authentic community with one another and their neighbors.  This addition to the RYC project struck me as a sign that this commitment to growth and adaptation lives on at Broadway.

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Akil (R)

Today’s lunch would focus on a family that lived in the house right across the street and which now had three of its youth working as Roving Youth.

There’s Akil, a lanky, cheerful young man of about 15 years…

 

 

Nyderia (L) and her mother, Connie

Nyderia, an introspective,
intense young woman with insane artistic vision and skill, (both of whom I worked with last year in RYC)…

Assata

Assata

 

 

…and Assata, youngest of the three present, birdlike-thin, with an extreme shyness equally matched with her gift with words and sprinkling arrestingly deep insights into everyday conversation.  A first-time Rover, Assata impressed us all this year when she said in her interview, “To be honest, I think I want to prove myself to my Mom because she usually thinks that I’m lazy and I usually just bail out on most things like doing stuff outside since I usually stay inside the house.  I want to see if she’s right or wrong by proving myself by doing this job.”

Before recounting the meal itself, I’d like to explore for a minute why this idea of “meals” is so worth writing about, and my own story of discovery with them.

 

Breaking Bread = An Overlooked Engine for Change

It was De’Amon Harges, Broadway’s first Roving Listener, who first introduced me to the idea of “meals” as a potent tool for transformation and democracy-building — for generating community, economy, and mutual delight.

At that time, I was in charge of an asset-based Neighborhoods Initiative at a nonprofit called SCOPE in Sarasota, FL (my home state).  Fresh out of college, but already experienced in a variety of group processes via my hankering for immersing myself in political, labor and intentional community organizing efforts, I had been exposed through SCOPE to even more methods for sparking both big-picture social change and healthy relating, decision-making and living in individuals, groups and organizations.

I had found myself intrigued but unsatisfied with the approaches I had encountered so far–from your usual Robert’s Rules of Order and agenda-based meeting (used by most organizations and by many neighborhood associations) to more nontraditional styles likeopenspace Peter Block’s Small Group conversations, Open Space, World Cafe and others.  I had seen, and oftentimes helped design and host, many such gatherings… and while some were effective in certain contexts, definitely valuable, and resonated with my own inside-out philosophy, I still sensed something missing–especially in the context of neighborhoods and community.

I noticed that most often, people coming from both neighborhoods and organizations who wanted to “engage” citizens in neighborhoods would hold meetings.  Yet, the people seemed to always attend only represented a small segment of the community–usually older residents, or those with a specific personal or organizational agenda.  I rarely saw young people, parents, or people who generally weren’t used to their voice being heard in these meetings.

What’s more, meetings always felt like work.  If I weren’t paid to attend those meetings, I could hardly see myself choosing to go as just a resident or neighbor.  In my own organizing work, I also felt unsatisfied with methods such as Block’s Small Group conversations, World Cafe or even Open Space.  Each are fascinating, powerful practices (which I highly recommend checking out), but didn’t quite hit home.

When De’Amon first explained meals as an organizing tool during one of our long walking talks through the streets of Chicago (my first time meeting him)–something clicked.  He told me how, after roving Mapleton Fall Creek and discovering patterns of people with common passions or skills (Gardeners, Artists, Entrepreneurs), he would bring them together for a simple meal–no agenda or facilitation beyond his revelation at the beginning of the commonality he had noticed.  From these meals, people found their own energy for connecting, built relationships naturally, and more often than not, decided on their own to continue getting together or embark on a small project together.

“How genius!” I thought instantly.  After all, savvy business-people and politicians have long known the power of conversation and food for advancing their work.  They recognize that breaking bread in an informal setting helps generate the kind of relaxed mutual delight, sense of freedom, and organic emergence of ideas, and opportunity for interesting dialogue that lead to trust–which are the foundation of doing good business or pretty much anything that will last a long while.

In contrast, the kinds of meetings and designs I’d seen used (and used myself) to try and connect people around specific issues, concerns or possibilities more often than not ended up with a lot of frustrated expectations, distorted ideas about who was responsible for what, unproductive confrontation and very little sense of real fellowship, relationship, relaxation or fun.  And, so much of what was talked about, from the most basic small project steps to big grandiose visions, never actually happened when people went home.

De’Amon and others at and around Broadway had been bringing people together not just to eat and converse, but with an understanding of how a simple meal can create beautiful, unexpected results by virtue of its relaxed, personal and very practical nature.  After all, “We all gotta eat”–and, inviting someone to share food with you has a very different feeling than inviting them to a meeting… right?

And, such a gathering has a very special power to achieve what even the most tightly-planned and strategically plotted traditional meeting cannot: the power to reveal organically, naturally, where there is energy within each person and within the group.  Sometimes, the result is a collaboration or a series of collaborations.  Sometimes, it’s a story that sticks and subtly, powerfully influences one or more of us as we go back to our daily lives.

Finally, I love meals because they are something that literally anyone can do.  They can be done almost anywhere and with any kind of food.  Like so many practices within Asset-Based Community Development, they are something which seems so commonplace yet has an incredible, but forgotten, power to spur innovation, community, economy, and all those good things we keep trying to invent new and shiny technologies to achieve.

This universality and time-work relevance aren’t just feel-good things–they also make this strategy relevant in terms of social justice, since more often than not (as I witnessed keenly in Sarasota), meals have a magical way of equalizing unbalanced power relations. They are not nearly as intimidating as old-school meetings or as to people used to being excluded from mainstream society, decision-making or traditional rings of power as a meeting can often be.  With a jovial air, they suggest–and, I’d argue, help to create–equality and friendship.

This was the air, spiced with a tinge of anxious, expectant mystery, that hung about the table that summer around noon as I joined the table with old friends, potential new friends, and fellow social experimenters…

 

 

Go to Part II

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A Different Kind of Summer Job… Broadway Roving Youth Corps

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Last month, I took part in a series of interviews held with young neighbors in the Mapleton Fall Creek neighborhood here in Indianapolis as part of Broadway United Methodist Church‘s JSP Roving Youth summer program.  I also made my first collaborative video, and my second edited video ever!

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Roving Youth Corps applicant

As Roving Youth, these young folks would be paid over the next few months getting to know their neighbors and the stories, assets and talents that lie in their neighborhood–one conversation at a time–and then working together as a group to explore creative ways to “Name, Bless, Connect and Celebrate” what they found.

Now duplicated in Macon, Georgia and Kentucky, this fascinating practice is rooted in asset-based thinking: that communities are strong when neighbors’ gifts, talents and passions are visible, connected and flowing–and when citizens are at the center of community improvement as leaders and doers.

I deeply admire Broadway’s long-standing commitment to acting as the “yeast” in it’s neighborhood–lifting up all the good for others to see–rather than an identifier, amplifier or even a sanctified “fixer” of all that is wrong in this place.  As part of their commitment to building economy and of replacing charity with investment, this church stands out by designing as many of its functions as possible to put money directly into the hands of neighbors as paid staff, consultants, cooks, artists, and more.

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I participated last year as a paid “Team Leader” in the Roving Youth program–and learned quickly that my gift is not being put “in charge” of a group of teens.

To my huge relief and joy, this year I was recruited in a capacity that felt much closer to IMG_0110my own gift: documentation via photography, writing, and my new interest, video.  My other new joy came from having a partner in storytelling crime–gifted natural documenter (photographer/videographer) Charita Roberts.

 

Charita, now in her early 20’s, began her work as a Rover 5 years ago as one of the “Originals” – ie., when the jobs were first created on the heals of the successful work done by the “Original Roving Listener,” De’Amon Harges.  Drawing on his natural gift for observing the inherent gifts of people in neighborhood–especially those who are seen as most “needy” by society–De’Amon created waves of energetic neighborhood collaboration around shared passions and entrepreneurial ideas by celebrating and bringing together people… gardeners, mechanics, artists, cooks, healers, and more. (More on his story here)

De'Amon Harges (L) with visiting community builder Kirk Hinkleman (2012)

De’Amon Harges (L) with visiting community builder Kirk Hinkleman (2012)

Mind you, all of this happened in a neighborhood that the most of Indianapolis sees mainly as dangerous, broken and full of more needs and problems than gifts and assets.

A few years into De’Amon’s work, Broadway decided to shift how they did their summer programming, from your typical day-time sports, etc. activities to something that could become a game-changer and a way to invest long-term in the people and place surrounding them.

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Miss Terri Coleman

In search of this alternative, the church hired two neighbors, Terri Coleman and Martha Wright, who had demonstrated their skills, insights, and passion for young people by always having youth on their porch.  Terri and Martha were charged with figuring out how to do a completely different kind of summer program–one which would look nothing like the last one, would reach about 200% more people, and would satisfy Broadway’s three credos:

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Build Community

Build Economy

Build Mutual Delight

 

Thus was born the Jubilee Summer Program (JSP) Roving Youth Corps.  That summer, a small core of young people walked with Terri and Martha around the neighborhood and held conversations with their neighbors in search of their gifts.  Then, they experimented with ways to celebrate and connect who and what they had found.  As Terri told me, it was a magical experience of uncovering buried treasure in the place where she had lived for years.

 

*  *  *

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Years later, this experiment has grown into a multifaceted creature, complete with applications and a full team of neighbors of different ages who are now Team and Teen Leaders, in charge of different groups of Rovers.  Many of the Team Leaders are seasoned rovers who began years back, like Charita.

I loved bearing witness to this interview process — perhaps, mostly because of both how rare and how special what was happening felt to me.  And perhaps secondly, because I was able to be there to capture it, not just alone but with a partner with whom I could trade off video angles and still to live shooting modes, and who I knew I’d be later reviewing and compiling the footage into a story to share with the world.  What’s more, I got an intensive crash course in Lightroom!  The magic of collaboration in any creative craft cannot be over-glorified, especially in my world as someone who so often works solo as an artist and storyteller.

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Charita teaching me Lightroom

 

Here’s what we put together for the first segment of the summer’s powerful work in discovering neighborhood abundance and weaving together community.

So, without further ado…    Action!

 

 

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As always, I’d love to hear your reactions, stories, musings…  especially on the video as it’s one of the first I’ve been involved in creating!

 

Stay tuned for an interview with Charita and more stories from the summer.

 

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Surprises from a Florida day (p.3)

Continued from “Surprises from a Florida day, Part 2”

 

So many more things came forth from our day–too many to list, and that is just from MY perspective.   And, this is just the beginning.  My goal that this be more than a one-day “aha” seems to be materializing…

In response to my invitation to Indianapolis to see McKnight, Peter Block and radical old testament scholar Walter Brueggeman in May, I received news a couple days later that Joey and another participant have teamed up to charter a bus to Indianapolis!  A group has formed to continue growing together in practice, naming themselves “Sarasota Positive Deviants” and are now discussing a good time to get back together for dinner.  Hopefully, some folks will take Brother Lance up on his invitation — if you live or visit in Sarasota, go find him and visit!  His phone number is (941) 879-1111.

 

Underneath all of these stories and nuggets, what was my biggest takeaway?

A new sense of gratitude for all who have taught me and created potent spaces of learning–or, better yet, “remembering”–community and the habits of citizenship and neighbors, as well as an abiding sense of awe for how ready we all are to simply “remember who we are” (in the words of my friend and amazing community innovator Sharon Joy Kleitsch.)

 

 

AN INVITATION:

Come to Indianapolis to the Abundance Festival on May 19!   Trust me, there is no replacement for being in a physical place where people are practicing this stuff, and Broadway is among the best (10 years strong and running).  And, you’ll get to hear pioneers of this movement speak and meet other “positive deviants” from around the country.

See flyer for registration info (do it ASAP, it’ll fill up fast!) and feel free to ask me about affordable lodging options and possible carpool buddies.

 

Abundance Festival Flyer FINAL (Low-res Letter)

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Surprises from a Florida day (p.2)

Continued from “Surprises from a Florida Day, Part 1.”

 

After lunch, I led the group in a game of “We Can.”  Developed by my colleague Cormac Russell and Inclusion Press, this game impressed me when I played it for the first time at the Toronto Summer Institute in 2012.  (you can find and download it for free on the ABCD Institute’s Toolkit page.)

To play, sitting in circles of 10-15, people go through a deck of cards listing various different skills and capacities (installing windows, starting a business, organizing a block party, knitting, applying for grants, etc.) and sort them into three piles:

“Things we CAN DO,”

“Things we KNOW SOMEONE who can do (and would do if we asked them),”

and “Things we CANNOT DO and DON’T KNOW ANYONE who can do them.”

We spent a little time before the action predicting where the cards might fall–some predicted 80-90% to land in the first two “CAN” piles. Others estimated lower, at about 50% in “CAN” / “KNOW SOMEONE” and 50% in “CAN’T.”

After I yelled, “Go!,” the groups jumped into action, self-organizing to move as quickly as possible through their card stacks. In about 15 minutes, the first group excitedly yelled their victory.

Once everyone had finished, we compared results.  Can you guess what they were? ONLY ONE GROUP had ANY cards (2) in the “CAN’T” pile.  TWO groups had ALL of their cards in “CAN,” while the other two had all (save two) in “CAN” or “KNOW SOMEONE,” with the extreme majority in “CAN.”  Beyond all expectations, 98% of the skills in those stacks were already present in the 14-16 people sitting in circles in that room.

Even though I knew what to expect from my own and others’ experiences, this STILL blew me away–along with everyone else who played.  Not only were folks shocked and delighted at how much capacity they and the people around them had, but several folks were struck by the profound truth that, rather than sticking to the “one man’s an island,” highly individualistic culture of doing things many of us have inherited, it makes SO much sense to team up with other people rather than trying to do everything alone… and, how much is possible when we do so.

*  *  *

As we pulled chairs back to tables after the “We Can” game, I was feeling a bit muddy and stuck in how to best transition us to the next topic.

On a whim, I asked if we had any singers in the room. Actually, I KNEW we did, because the game cards each listed “Sings” as one skill, so we had to have at least one. Two or three people tentatively raised their hands. I called on the boldest hand, which belonged to Joey, a New College student who was attending as part of Dr. Brain’s practicum class about Homelessness. “Will you sing something for us?” I asked.

“Um, OK. What should I sing?”

“Anything you like. Whatever comes to mind.”

Joey got up on stage and confessed that he actually has a song that he has WRITTEN–and, that he is kind of a ham. Joey, we’d discovered earlier, is actually a natural “rover” who loves to go around town by bike and discover hidden treasures in place and people. He’s also really in to geography. So, he’s written a song about all of the counties in our fair state of Florida, set to the tune of another song (I forget which).

Joey proceeded to sing, with full theatrical flare, his entire, amazing song to us. The buzz of delight and surprise was so thick in that room, erupting when he finished into crazy applause and hooting. Later, someone came up to me and asked if I’d planned that. “No!” I replied honestly. But, I added, these are the kinds of amazing things you get when you start asking about gifts, and asking people to give them.
~ My final favorite thing about the workshop was how it created space for me and Mary to meet other people like us–connectors and “rovers”–who never realized that the way they are is such an asset and a tool for change. Specifically, Cory (our first room layout consultant) and Joey approached each us at different points and asked with piercing sincerity how to “Do” this work? Cory’s question was, “How can I be that one person who affects the many?” I was a bit taken aback by such a big question, and stumbled with my answer–something like, work on seeing, celebrating and connecting what people are good at in your immediate group of friends and influence here where you are.

“Well, that’s the problem,” he said. “I am not really part of any one group here. I kind of float between cliques but am not a real member of any one of them.”

He added, “I’m like a reflector–I reflect wherever I am and whoever is around me.”

I could tell he was describing these qualities as something bad or weak, or as barriers to influencing others. But as he was talking my joy grew as I realized he was also describing me, and those things I’ve often felt are weaknesses. So, it was with total confidence that I told him how these qualities are GREAT, and exactly what you need to be a great practitioner. Because asset-based thinking and practice is all about seeing, using, celebrating what’s ALREADY there, “Reflecting” is one of the most important things we can and should do. Also, not being a fixed part of one group is great, because as he reflects back the abundance he finds in people and groups, he can easily move between them in ways other people can’t and become a bridge, mirroring back and forth to different groups the great things about the others which they probably cannot see.

The coolest moment came when, a little later as most people had left the workshop and Mary, David and I were cleaning up with Leon and Cory’s help. Some other guys, “clients” of the program, had come in to start setting up for that evening’s event. Cory came over to me excitedly–almost dancing–and said, “I just tried it! I tried it here with these guys, and it worked!”  In hindsight, I wish I’d asked him exactly what he’d done, but in that moment I was just too overwhelmed with joy–to see someone experiencing exactly what I’d experienced in meeting other connectors and being affirmed in my own weird traits.

I have found that, more than anything, it’s been my friendship with other connectors as peers in practice that has been my greatest resources and fuel for growth, both in my personal and professional life. So, to be one part of that moment of self-realization and bonding in another gives me a rich sense of surprise, satisfaction and good, long-living power outside myself that I struggle to compare with anything else.

 

Continued in Part 3

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Surprises from a Florida day (p.1)

Now back in Indianapolis once again, this time greeting spring in all of its warm, rainy, flowering glory, my heart is still reverberating from a surprise-packed day I spent discussing asset-based ideas and possibilities with 55+ members of the Sarasota/Tampa Bay community.

I learned so many lessons through planning and doing this workshop, and heard some great stories…  once I began writing, it all poured out!  So, this blog is cut into 3 parts for easier digestion.

 

I was thrilled initially, four weeks back, when I my old New College sociology professor Dr. David Brain asked me over Facebook chat if I’d be interested in extending my April trip in Florida (originally set for working the Sarasota Film Festival) to host an ABCD workshop.  He’d been working with a group of students around homelessness, he said, and had some relationships with other institutions who might be able to help fund it.

Working with David is always such a pleasure, because in his work in community around planning and development, his core philosophy is all about citizen-centered, inclusive decision-making and community.  Also, he’s the one who first introduced me to John McKnight’s “big green book” and this wonderful movement. This was also a chance to work closely again with my dear friend and colleague Mary Butler, an ABCD community builder and neighborhood connector in Newtown of Sarasota.

Through the supporting partners of the day — Salvation Army, New College, SCOPE and the Community Foundation — and through my friendships with folks in town, registration filled up quickly.  From the day that I said “Yes,” my wheels began spinning…  How can I create the best workshop yet?  What can I add to the usual routine that will not just drive points home the day-of, but demonstrate the art and practice of asset-based thinking?  And, just as importantly, how can I help ensure that the conversation, learning, and application of these ideas continue after I leave?  So often, great group learning experiences end up being just that…  a day of epiphanies, inspiration and new hopes that, when people go back to the daily grind, evaporate without any chance to take root in actual change in our lives or communities.  I didn’t know the answer, but I forged a determination to do my best to figure it out.

The workshop gave me a chance to integrate things I’ve learned since moving to Indianapolis last year… perhaps most importantly, I’ve learned that the most important way of “doing” and of teaching asset-based thinking is to PRACTICE it.  Following the example of the person who has become my mentor, Roving Listener De’Amon Harges, I thought ahead about who I know in the community who is somehow on the margins, and how can I use their gifts or skills in this workshop?  Also inspired by De’Amon and the folks at Broadway here in Indy, I was determined to use the limited budget we had to not only showcase but to invest in these skills, thereby building community with the workshop itself, and also demonstrating what I believe is one of the most socially and economically transformative tools we have — our money, and where we choose to spend it.

I had a limited budget, so not a ton to invest, but the following ideas worked beautifully…

With my friend and colleague Mary Butler’s help, we decided to approach local restauranteur and business owner Brother Lance Shabazz about cooking lunch for the workshop.

Even though it took more time and energy than, say, going to the local Sam’s club and getting some sandwiches, we worked out a deal with Brother Lance.  For those of you not from Sarasota, Newtown is THE African American section of town. I had the privilege of working in that neighborhood for over a year back in 2009 and, through one-on-one conversations and attending various community functions and meetings, saw first-hand the immense amount of caring, community action, creativity, proud history and rich connection exists in this community. However, it’s my experience that the rest of Sarasota views Newtown as a broken, dangerous, needy place… even my “progressive” friends are afraid or openly disparaging of the community.

Brother Lance is someone I remember from years back as a powerful economic “doer,” who not only has worked hard to build his own businesses on the once-thriving Newtown corridor, but has also been working for years to cultivate a Newtown Business and Community Association which can restore the interconnected economic vibrance of years past in Newtown. I always enjoyed Bro. Lance’s down-to-earth, outspoken nature, and was delighted that he agreed to work with us on such short notice to make 50+ lunches for Saturday!

I also wanted to hire an artist to capture the day’s deeper messages through live images. I know both the power this can have for a group, to see their words and thoughts translated into picture. I also know the power it can have for the artist, because I WAS that artist when De’Amon and his partner Anne Mitchell first asked ME to do live recording at their ABCD workshop in Indianapolis two years ago… and then, later, offered to pay me to do it for them. Basically, being invited to give my gift, and then being paid to give it, both changed my life profoundly.

Because the workshop would include a number of people who are passionate about homelessness, I especially wanted to invest in and showcase the talents of someone who was experiencing or had experienced homelessness in the past.  So, also in the model of De’Amon and Broadway, I dipped into my pay to hire my friend Leon Middleton.  Although Leon reported this time that he was now living in his own apartment in my old neighborhood, he’d been open with me that he’d been homeless for several years previously.

Granted, he had no idea what I was really asking him to do, and I struggled to explain it clearly, but I’ve come to appreciate that working with assets means giving oneself over to a spirit of experimentation and openness to what emerges… it’s not about control or predictable outcomes.

 

Speaking of emergence and surprises–we held the workshop at the Salvation Army.  This location wasn’t my first choice.  I had hoped to find a church in Newtown that would host it–both for the rich community feel that churches offer, and to get people out of their comfort zone and experiencing a safe, abundant place in the very labeled Newtown… a place they’ve been trained to see as the opposite. But since none were available that day, “the Sally” it was–which ended up being a blessing in disguise!

I met my first friend at the Salvation Army the day before the workshop. Mary and I were scoping out the assigned chapel space for the best layout, etc. Some young men were also there, apparently setting up for an event that night. As Mary and I thought through the layout options aloud, a soft-spoken, friendly young man spoke up and offered some ideas. We learned his name was Cory. He then asked what the workshop would be about? As we explained it, he lit up and asked if he could come. “Please do!” we answered. He said it’s just the kind of thing he’d be interested in.

The next day, Cory was one of the first ones to come, along with several other “clients” of the Salvation Army (ie. people who are in the rehabilitation program.)  As I was to realize later, the fact that we held the workshop there at the Sally meant that they could come–otherwise, they would not have been allowed to leave the premises and so would have been excluded.

 

Continued in Part 2

 

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Roving Notes 1.25.14: “Return / Neckbone / Bubble / Care”

 

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Indianapolis from above

Still whirling from the thrill, flurry, million-feeling core connections and life-altering epiphanies of my trip to New York, I’m back home in my neighborhood… for me, the stage of my work and of my own heart’s greatest learning. Even though I know reaching out, developing my business in graphic recording/community-building/muraling is important and that I can (and do) rove *anywhere,* I also know deep in my gut that my most potent and powerful time, learning, growth, and relationships are in my neighborhood, with my neighbors.

I work a lot at “de-programmifying” this thought–untangling and dissolving the hard feeling that I “should” be doing this, and remembering that this is simply who I am, what I love, and what I WANT to do. I’ve been roving since I was a little kid growing up in Florida–shooting between neighbors yards, mapping the streets, collecting a huge stack of business cards, hunting treasures in old ladies’ garage sales in Barefoot Bay (the retirement community where Dad lived), or in the rustling stretches of Florida scrubland surrounding Mom’s house.

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I’m curious about who lives around me, and I also know how valuable and transformative connected neighborhoods are…

 

Anyway, I’ve been feeling neglectful of those relationships lately with all my travel–Chicago & FL (December) and now NYC. And, coming home, I struggle with the logistics of how to reconnect and, well, just making the time and summoning the energy to do it, especially with the not-so-walk-friendly weather that’s turned everything white and frozen outside everyone’s doorstep.

But as so often happens, when my heart has the will, the world has a way of backing that up…

 

* * *

Friday.

Having spent yesterday and this morning catching up on lost time with my delightful boyfriend, I’m back in my hood. It’s bitter cold out and I’m sitting in my car in the snow-filled street… probably texting.

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A man and then a woman walk by, toward the corner. They’re too bundled up for me to recognize, which I don’t. No one else is on the street. I observe, without observing much.

Then I get out of the car, ready to hustle into warmth, when I hear my name ring out from across the intersection in a full-throated, scratchy, familiar voice. I turn and realize I’m being called by Tara–my neighbor four houses down, who I met through Laray a few months ago. Tara is one of the most natural connectors, hubs and hosts I’ve ever met.

I run over and meet her brother, who she’s accompanied to the bus-stop despite his protests (“You can go on back now” — “No, I’m not going until you’re on that bus!”). She asks where I’ve been and have I gotten her texts? I hadn’t, but am touched when she tells me she’s been texting me holiday wishes… and, that Kendale (a young artist into sociology who lives next to Tara) has also been asking where I’ve gone.

I feel guilt, familiar, burning …which Tara immediately whisks away like so much dust with her hearty laughter and fresh burst of the hospitality I know her for: “What are you doing right now? Are you hungry?”

Truth is, there were a lot of things I could be doing, but I wanted to do this. And, I was hungry. So I followed her down to her house, which is now much emptier than before since her friend Myeshia and Myeshia’s three kids have moved out. We catch up and soon, Tara jumps up to let her friend in.

In walks a man aged around 40-45, who she introduces as “Bubble.” Tara and Bubble go way back, and I can immediately feel the sense of friendship/love between them, and a kind of protector spirit from Bubble towards Tara.

I notice a gift again in Tara for celebrating/promoting others’ gifts and business when she says, “Bubble is a mechanic and if you ever need something for your car, HE’S YOUR MAN.” (I first noticed Tara’s gift for celebrating others when she posted my mural/Aprilart Studios postcard on her fridge and promised to tell everyone who comes in her house about me.)

As we chat over beer and gin, Tara dishes me up some fresh neckbone.  She smiles big when I say I’ll try it and that no, I’ve never had it before. Turns out, the stuff is delicious! And it’s meant to be eaten with the hands–even better!

Bubble has a quiet manner and an easy smile. He says at one point in our winding conversation, “The world is always in balance. When someone dies, someone new always comes into the world. One goes, one comes. It’s a cycle.”

“Hm…” I said, digesting this huge, elegant concept. Then, curious, I ask, “Where did you get that from? I mean, did it come to you or did you hear it somewhere?” “Oh, I just always thought it. That’s what makes sense to me and I believe it’s true.”

I sit, delighted and moved by Bubble’s profound insight into the workings of the universe, and at his beautifully clear way of giving it voice.

 

 

*  *  *

Eventually, belly full of neckbone meat and a little bit of warm gin, I must head home.

Tara hugs me and I thank her for the food. We update our phones so I’ll be sure not to miss her texts again. Bubble insists on walking me out, and I get his number too with his promises to charge me a very reasonable rate. As I walk down the snow-covered, empty street in the cold night air, Bubble stands in the middle outside Tara’s duplex, watching until I climb the steps to my home and get inside.

The other day, I got a familiar reaction when I told a new friend that I live near 33rd and Clifton:

“That’s one of the more dangerous neighborhoods, right?”

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“It’s a great place,” I respond, quickly and with some defensiveness. Then I add, a bit more calmly and with a thrill as I realize it’s true, “I’ve never felt more protected in any other place than I do there.”

And I wasn’t making that up, giving lip-service for the sake of de-labeling this place that most of Indy calls “bad.” I meant what I said.  Bubble’s act of protection and care–and that which I witnessed in Tara earlier with her brother–was one of so many that I can recall since moving here and getting to know my neighbors. Unlike how I and most of us have been trained to see it, this is a place of immense caring… much moreso than most “good” neighborhoods where I have lived, where the “to each one’s own” mentality I mostly grew up with seems to rule.

Now writing this, I feel again such appreciation for the spirit of protection and caring that has flowed forth with even the tiniest-seeming scratch on these relationships from stranger to friend.

I also feel heartened by how much connection won over everything against it this night–snow, cold, and my own internal urge to isolate–and yielded so much–a new friend and mechanic to call, a new food tried, and conversation about universal balance and lives lived that will continue to thrill my soul.

 

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

* What are “Roving Notes”?

Recently someone reported scrolling through my blog and not quite understanding it. So I’ll explain…

These Notes are an attempt to capture, reflect on, and share my own journey in practicing the art of living as a creature of community.

In them, I focus mostly on stories about my neighborhood, my neighbors, and the abundance of gifts, caring, and world-changing action I discover around me as I push myself past my own habits of isolation, fear of strangers, and belief in scarcity.  Sometimes I travel my larger community of Indianapolis and the world, and like to write about that too! I welcome and love stories of others’ roving and what you think about mine.

I write these notes because a) I’m a writer and my life is better when write; and b) because I believe that community, re-igniting citizenship, and neighborliness and democracy is a practice, not a program… a way of living that, through practice, becomes habit… and perhaps through sharing and storytelling, can become a new reality beyond my own hopeful mind and heart.

My journey has been influenced by a movement known as Asset-Based Community Development (ABCD), founders John McKnight and Jody Kretzmann, and the neighbors and staff of Broadway United Methodist Church in Indianapolis. It also draws from the work of Margaret Wheatley, Peter Block and others who are too many to name here. The word “Roving” comes from my friend Deamon Harges, the original “Roving Listener” of Tesserae Learning (www.tesseraelearning.org) and a Fellow with the Asset-Based Community Development (ABCD) Institute of Northwestern University (www.abcdinstitute.org).

Words on welcome wall at Broadway United Methodist Church

Words on welcome wall at Broadway United Methodist Church

 

 

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Roving Notes (Chicago): A Forgotten Gift / El Tata

 

after packing up and double, triple-scanning the hotel room to make sure I got all stray earrings and socks, I headed back to my dear friend Arturo‘s in Pilsen neighborhood.

 

We shared delicious leftovers from the Thai restaurant I ate at last night with friends, then I milked his brain and photography experience for ideas on why my new lens is driving me nuts.

Post-soup fatigue hit in, right around the time he pulled down his acoustic and began playing… it struck me how myopic I get sometimes about people and what defines them–with Arturo, for so long I’ve thought of him according to how we first met — at a music video debut for a video he’d directed. It had blown me away, and since then I always thought of his gifts as director/videographer and grassroots events organizer.

But, he’s also passionate about and talented in music… something I discovered during a previous visit, when I asked him what he really gets excited about–his answer was not his video work or the film festivals he’d organized in his neighborhood to display the talents of local young filmmakers.  Rather, it was music, and the thought of getting his band back together.

I remember being struck in that moment by how many layers there are to learning about someone and discovering what makes them tick…  and how off we can be when just going on superficial assumptions about what we think that is for someone, unwittingly stretching the film of our own assumptions or projections onto someone as I did with Arturo.  I’d seen Arturo play in a band years ago, but for whatever reason, that never stuck. And even now, having already had that conversation about his passion for music, I realized I’d managed to forget about Arturo the Musician and cling to my original belief about him.

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Somehow today, sitting on his futon as the snow wafted around outside, I felt his musician spirit with total purity. Maybe it was because, tired from a long week of conferencing, hard thinking and being with people nonstop, I needed that sound. Maybe it was because that’s exactly how he presented it — “You are tired? Here is something to help you relax.”

This moment reminded me that the key to relationships, building community, and really, any emergent process, lies first and always in observation.

 *  *  *

 

Later, Arturo and I struck out on a quest for internet across a snowy Pilsen–part virgin, sparkling snow dunes, part criss-crossed sludgy streets and walkways.  When we reached the library (a trip lengthened my photo-snapping habit and our shared tendency to poke around interesting places), Arturo firmly greeted an older man who stood outside, smoking a cigarette.  The man had a colorful scarf, knit winter hat, sparkling eyes and a ready grin opening from his curly white beard.  Arturo introduced him to me briefly as something I couldn’t quite make out–“(something) Tata.”

 

Once inside, I asked, “Who was that?”

“That is El Tata–a legenda (‘leyenda’). A walking legend in this neighborhood.”  I had to restrain myself from punching Arturo’s arm–“Why didn’t you tell me?! Do you think I could go take his picture?  Why is he a legend?”

Arturo looked back outside. “Well, if you want to find out, you’d better go out there now before he leaves, and I can explain it to you after.”

I went back to catch El Tata still finishing his hand-rolled cigarette.  In the best Spanish I could muster, I asked him–“My friend tells me that you’re a legend. Why?”

El Tata smiled sweetly and, without skipping a beat, told me in Spanish. I did my best to follow.

A muralist, artist, writer, activist, El Tata collaborates with other artists and musicians, especially young people in the neighborhood, on local events and projects.

From my short interaction with him, I felt incredible wisdom, love, courage and strength…  I was especially moved by how he ended many of his sentences to me with, “mi amor” (“my love.”). Terms of endearance (sp?) ALWAYS get to me, but when coming from such a humble fighter as this, got me even deeper.

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El Tata also imparted on me this thought–as writers, musicians, artists, “Tenemos que ser mesengeros del tiempo” — “we have to be mensajeros of the times.”writes, murals, organizes shows, works with young people, and acts as a “Mensajeros del Tiempo” — “messenger of the times”

Finally, I found such a spirit of friendship and community which I think must make El Tata so adored and legendary — when he told me that he does murals (“murales”), I excitedly said, “Me too!”  (“Yo soy artista tambien.” — “I’m also an artist.”)  His eyes lit up to match mine and he said, “Great! We can work together.”  It wasn’t till we finished talking that I informed him that I live in Indianapolis, but gave him my card and he happily promised to call me when a chance to work together comes up.

This remained one of my favorite experiences during my trip to Chicago.  The trip was packed with insights, moments with old and new friends during the TASH Conference around inclusion of people with disabilities, and my own personal visioning “PATH” process.

Yet, it was this coming-upon a new friend, potential collaborator, and “walking legend” out in that snowy street that thrilled me the most. Perhaps it’s because it was a reminder that, while there’s immense value in gatherings of peers and colleagues in whatever field we choose, our greatest teachers, friends and collaborators are often right around us as we move through public places or social spaces–unstructured, open and free-flowing.

 

Like El Tata, they often look like someone we’ve been told cannot offer or teach us anything–to many people, El Tata might seem a homeless man with nothing but needs.  And, for all I know, he might be homeless.  But, what I learned was a different story, and one that serves me much better than what my socially-trained eye would have made me see.

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There is such abundance all around us… especially in the places where we’re told it’s not.  The only thing we need to do is look for it.

 

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Wednesday at Broadway: Tacos, Art, Abundance

Being a freelance has unusual perks–like being able to choose your office space for the day on a whim.  Lately, I’ve been trying to plant myself in “third places” — spots that lend themselves to interaction among community members.  I’m especially pulled toward places a bit off the “beaten path” for people in my social group.  That is, where are spaces of hospitality and human gathering where I’m likely to meet people outside my ethnic, income and general “identity” group?

Today, after a morning conversation over tea at the lovely local joint Foundry Provisions with my newfound friend and fellow Storyteller Dawn, I decided to set up camp where I’d been most recently invited: an old favorite, Broadway United Methodist Church.  Located in Mapleton Fall Creek neighborhood, this unique hub and home for neighborhood, economy and community innovation was originally responsible for turning Indianapolis into a magnet for my heart.

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More than a place, Broadway is its people.  They include my colleagues with the ABCD Institute Faculty member Mike Mather and De’Amon Harges; expert connectors, healers, teachers, artists and many more who live in the neighborhood or work within its walls (and sometimes they do both). With its innovative approach to tackling issues such as poverty through discovering, celebrating and creatively investing in the gifts of neighbors, Broadway has been by folks as famous as urbanist Richard Florida, John McKnight. (Interestingly enough, it remains pretty off-the-radar of many people I have met who here in Indianapolis who care about community, social justice and change).

Every visit to Broadway offers me a living lesson in both the challenges and the benefits of switching our lens from seeing needs to seeing gifts, and in valuing people and community as solutions to local issues–rather than seeking  programs and institutions.

Today, in addition to the much-needed hugs, smiles and “How have you been?”‘s I got just by walking through the lobby, I also got two of my other favorite things: FOOD (Taco Salad), and a chance to invest in someone’s gifts.

*  *  *

My choice of space came thanks to a fresh invitation yesterday from friend, artist and organizer Terry Martin to come use the third floor “Art Room” whenever I want.  It’s now used primarily by the amazing artist Alkemi Bayete (aka Michael Jordan), and I was happy to find that wi-fi works just fine up there.  It was great to be surrounded by Alkemi’s brushes, canvases, finished and unfinished art — and just the energy of creative ideas.  (See Alchemi’s art immediately below, and a piece by Terry that I absolutely LOVE, which greets all third-floor visitors as they reach the top of the stairs.)

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As I worked, Terry and I bantered about some ideas for gathering artists together in early December, as well as the challenges that come with getting things done.

I soon found myself recalling the wonderful aroma that filled the hallway of Broadway’s main entrance when I’d first walked in…

This is Miss Frances.

 

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Ever since Broadway discovered that she’s a gifted cook, Broadway’s been finding ways to use her gift and help build neighborhood economy at the same time. Frances catered a number of get-togethers, then one summer, church staff realized how much sense it would make for her to set up shop in the church kitchen cooking lunch every weekday for purchase from staff and from the neighborhood kids who were participating that summer in the Roving Youth Corps project. The kids would be walking down to the gas station anyway, so why not have food here and keep the money right here in the neighborhood?

Since then, the aromas of Miss Frances’ cooking waft up from the kitchen and greet anyone who comes into Broadway’s double doors.  You can come by any weekday between 12 and 3pm to catch her and place your own order. Today, she was serving up dinners of chicken noodles ($7) and lunches of cheeseburgers or taco salad for just $5.

In truth, I have food at home and could have cooked for myself.  Also, today’s Taco Salad deviates from the kind of diet I’m trying to follow.  But there’s something magical to me about taking the (currently) small bit of cash that I have and investing it in another hyper-local business — Miss Frances — for my lunch.  Because her operation is so small, my investment makes that much more of a difference.  The exchange is also that much more human and satisfying to me.

It’s this richness that I crave, come to Broadway for, and want to create around me in my own neighborhood and community–an attentiveness to and resulting space for seeing, using, and investing in the gifts of those around me.

*  *  *

OTHER GOODIES…

Because Broadway is a hub of gifts and relationships, I inevitably make some good connection when I come here.  Today, they were:

  • meeting Carol, a talented and established artist who is now using a space just down the hall from the Art Room.  We checked out each other’s work and she gave me some valuable tips on finding mural opportunities in town.  Her stories of getting a grant to work on a two-year project pairing her paintings with a Peruvian Poet’s work inspired me to think bigger about my own artistic ambitions.
  • Reconnecting with young photographers Nashae and Neiji–both 12 and insanely talented with the camera. We chatted some and I let them play with my new lens and Canon rebel while I worked on the computer.
  • Russ, my friend and former housemate, showed me his new line of poly clay and brass jewelry–a beautiful fox brooch, bear claw and rustic crosses in bronze.  We talked many times in the past about his wish to develop his talent for classy, decorative wear, and it made me very happy to see his progress.  It was also great watching Carol and Russ’s wheels turn about collaborative teaching and art production possibilities over the summer.

*  *  *

I’m curious about others’ experiences with these kinds of experiments.  Where do you find spaces and opportunities for making useful connections while you work or do otherwise necessary daily tasks?  What opportunities do you see for using and investing in the gifts of someone in your neighborhood or workplace?

MakingInvisibleVisible

 

 

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Sherry’s Sewing, and Gifts vs. Volunteerism

photo of the day…

Sherry Sewing
…from my visit to the KI EcoCenter on 28th St, Indianapolis — a beautifully grassroots, people-first community-centered organization. Many aspects of it to rave about, but this story speaks to its very wise and potent philosophical underpinning (versus that of most ‘institutional’ institutions). Told to me by Em, founding member of the Center:

Sherry came to Ki Ecocenter as an assigned worker through a Goodwill program meant to help seniors re-enter the workforce. During her entry interview, it became clear that Sherry’s skills didn’t lie in what the program seemed to be about — ie. technology, computer skills, etc. So, they asked her, “What CAN you do?”

“I can sew,” Sherry replied.

They asked if she’d sew for the Center. The result has been a line of gorgeous, originally designed handbags from reclaimed fabric pieces, now sold to benefit the center.

Originally from Tennessee, Sherry has lived in Indy for 14 years. She lives in the neighborhood near Ki Ecocenter, and first discovered her innate passion for sewing when she was in home economics class in high school. She’d make clothing upon request for friends and family–she even sewed her sister’s wedding dress! Sherry has a refreshing down-to-earth demeanor, and says being at Ki Ecocenter is interesting because it’s the first time she’s been in this kind of “natural environment”–where cooking is all from scratch. At one point in her life, Sherry used to make all of her own clothes because it was simply cheaper that way.

It was a joy to talk with Sherry and see her completely alive in doing and giving her gift. I think of how so many organizations and community efforts default to a “plug-in” volunteer or engagement model, wherein people are plugged into existing programs according to what the institution has decided is needed and important. This habit goes against the wisdom of community, and rarely produces the power, satisfaction, and mutual delight of Ki Eco’s person-centered approach. Traditional organizational protocols rarely allow for time, curiosity or flexibility to find out what this person brings, and how that could be used to shape and enhance the existing organization or project.

Creative/Community versus Bureaucratic/Institutional… And having work in nonprofits, I know how much the ‘volunteer’ branches are often the spaces of the greatest complaints and frustration among staff, who often scramble to find things for people to do, to ‘manage’ volunteers, etc.

It struck me how, by having an adaptive, person-centered mindset, Ki Ecocenter folks created a ‘win-win’ on many more planes than could have ever been predicted at the outset. They have a beautiful product, and one which inspires people to think about what other gifts might be tapped into in their community… They have a member of their team who is energized, fulfilled, and valued for what she is uniquely giving. And, as I talked with Miss Sherry, she told me how doing this has got her thinking to buy her own little sewing machine. Offering a platform for Sherry to contribute and practice her gift has, I can’t help but think, nurtured her passion to begin spreading out in other parts of her life. The result? Her life becomes richer, and so does the community.

Another example of the great and unpredictable benefits of a people/gifts approach over those of traditional top-down, managed organizational practices.

Here is Sherry at her sewing machine at the Ki Ecocenter. Isn’t she beautiful?

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